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The importance of money within the system of appreciation is measurable by the development of the money fine. We first encounter in this area, as its most peculiar manifestation, the atonement of murder by payment of money an occurrence so frequent in primitive cultures that it makes specific examples unnecessary, at least for its simplest and most direct form. Less appreciated, however, is not so much the frequency as the intensity with which the relationship between human value and money value dominates legal conceptions.

German philosopher and sociologist Georg Simmel published his magnum opus, The Philosophy of Money, in 1900. It is an amalgam of history, economics, sociology, social psychology, and cultural commentary. Simmel focuses on the psychological and sociological effects of money as a cultural determinant. Discussing the meaning of money is for him a matter of discussing money as a phenomenon. He describes the experience of money and analyzes the preconditions that give money its meaning: consciousness, social relations, and values.

The order of our investigation of the different sections of the proletariat follows naturally from the foregoing history of its rise. The first proletarians were connected with manufacture, were engendered by it, and accordingly, those employed in manufacture, in the working up of raw materials, will first claim our attention. The production of raw materials and fuel for manufacture attained importance only in consequence of the industrial change and engendered a new proletariat, the coal and metal miners. Then, in the third place, manufacture influenced agriculture, and in the fourth, the condition of Ireland; and the fractions of the proletariat belonging to each, will find their place accordingly.

As the rebellious eldest son of a family of German industrialists, Friedrich Engels was sent in 1842 to Manchester to oversee his father's textile business, and he lived in the city until 1844. Manchester was then at the very heart of the Industrial Revolution. There, he spent spare time talking to the workers and collected data for his first work, which was originally written in German as Die Lage der arbeitenden Klasse in England. That sociological study was first published in Leipzig in 1845. The English edition The Condition of the Working Class in England (authorized by Engels) was published in 1887 in New York and London in 1891.

"... My studies have identified some 70 traits that characterize the culture of poverty. The principal ones may be described in four dimensions of the system: the relationship between the subculture and the larger society; the nature of the slum community; the nature of the family, and the attitudes, values and character structure of the individual. The disengagement, the non-integration, of the poor with respect to the major institutions of society is a crucial element in the culture of poverty. It reflects the combined effect of a variety of factors including poverty, to begin with, but also segregation and discrimination, fear, suspicion and apathy and the development of alternative institutions and procedures in the slum community.

Subota, 15 Maj 2021 10:49

Culture of Poverty by Oscar Lewis

The theory of a culture of poverty was created by the American anthropologist Oscar Lewis in his book, Five Families: Mexican Case Studies in the Culture of Poverty, first published in 1959. This theory states that living in conditions of pervasive poverty will lead to the development of a culture or subculture adapted to those conditions. Lewis uses his famous expression of poverty culture to describe it as the idea that poor people do not learn norms and values that can help them improve their conditions and therefore fall into a repeated pattern of poverty.

"Ali da se vratim na svoju optužbu. Ako je produktivna snaga modernog čoveka hiljadu puta veća nego produktivna snaga pećinskog čoveka, zašto onda danas ima u Sjedinjenim Državama petnaest miliona ljudi bez pristojnog stana i pristojne hrane? Zašto onda postoji u Sjedinjenim Državama tri miliona dece radnika? Ovo je istinita optužba. Kapitalistička klasa je rđavo vodila. Sa obzirom na činjenicu da moderni čovek živi gore nego što je živeo pećinski čovek, nemoguć je ikakav drugi zaključak nego da je kapitalistička klasa rđavo vodila, da ste vi pogrešno vodili, gospodo, da ste pogrešno radili, sebično i zločinački.

Nedelja, 28 Mart 2021 10:59

Viridijana

Nakon što je dvadeset i pet godina snimao filmove širom Evrope i Meksika, španska diktatorska vlada pod Franciskom Frankom je pozvala Luisa Bunjuela da se vrati kući i on snima kontroverzni crno-beli film Viridijana 1960. godine. Ovaj film se često navodi kao najuspešniji ili jedno od najuspešnijih ostvarenja filmografije Luisa Bunjuela. Španske vlasti su zabranile njegovo prikazivanje i konfiskovale sve kopije, pri čemu im je izmakla ona poslata na festival u Kan, gde je 1961. godine nagrađen Zlatnom palmom.

Subota, 27 Mart 2021 11:44

Kris Rodli - Tvin Piks Dejvida Linča

Vest da je Dejvid Linč uključen u snimanje "sapunske opere" za američku televiziju došla je kao šok. Bilo je teško zamisliti da bi senzibilitet autora koji je napravio Glavu za brisanje i Plavi somot ikada mogao da nađe odgovarajući izraz u toj najkonzervativnijoj medijskoj instituciji. Ipak, zahvaljujući partnerstvu sa Markom Frostom - koji je stekao veliko iskustvo radeći na nedeljnim TV dramama - Tvin Piks je počeo da se ostvaruje. Pokazalo se da ograničenja u pogledu "ukusa" i sadržaja ne samo da nisu bila veliki problem za Tvin Piks već su i dovela do nekih ingenioznih rešenja.

Tih dana Bonaparta je upoznao vikontesu Žozefinu Boarne, rođenu Tašer, jednu kreolku sa ostrva Martinika. Njen muž, pretsednik Konstituante glavni zapovednik rajnske vojske, ostavio ju je u siromaštvu sa dvoje nejake dece na rukama; ona se kojekako probijala, praveći dugove, upuštajući se u ne baš uspele spekulacije i ne odlikujući se mnogo strogim životom. Za vreme terora, vikont Boarne bio je pogubljen. U zatvor su strpali i građanku Tašer, iako se ova izdavala za "dobru sankilotkinju" i bila prijateljica Robespierove Šarlote. Samo se čudom izbavila gilotine i, pravce iz sobe za mučenje, našla se jednog dana u sjajnim salonima bivših aristokrata i novih spekulanata gde ju je i upoznao Bonaparta.

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