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Četvrtak, 02 Decembar 2021 12:30

Auguste Rodin's inspiration for The Kiss

Trained in the traditions of eighteenth-century art, captivated by the works of Renaissance artist Michelangelo and fascinated by the works of classical Greece, Auguste Rodin broke the rules and the mold in many of his sculptures. Rodin's main inspiration for The Kiss comes from a literary source, and its classical composition was taken from classic sculptures of his time. He captures a tangible feeling of the psychology of love in the way the bodies of Paolo and Francesca for The Gates of Hell meld into one another, portraying the essence of complete passion.

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The famous marble sculpture The Kiss from 1882 by the French sculptor Auguste Rodin represents a sensuality that shocked contemporaries. The embracing couple depicted in the sculpture was originally part of a group of reliefs adorning Rodin's monumental bronze portal known as The Gates of Hell, commissioned for the planned Art Museum in Paris. This couple was later removed because it depicted a positive state contradicting the overall tone of the Inferno gates. Rodin transformed the group into an independent work which the public called The Kiss and exhibited it with his Monument to Balzac in 1898. Today, the sculpture The Kiss is in the Rodin Museum in Paris, and it is still one of the most famous and most adored sculptures in the world.

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Auguste Rodin himself wrote about his intention to use a heroic figure à la Michelangelo to represent Thinking as well as Poetry: "The Thinker has a story. In the days long gone by I conceived the idea of The Gates of Hell. Before the door, seated on the rock, Dante thinking of the plan of the poem behind him... all the characters from The Divine Comedy. This project was not realized. Thin ascetic Dante in his straight robe separated from all the rest would have been without meaning. Guided by my first inspiration I conceived another thinker, a naked man, seated on a rock, his fist against his teeth, he dreams. The fertile thought slowly elaborates itself within his brain. He is no longer a dreamer, he is a creator."

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One of Auguste Rodin's most famous works, Le Penseur, or The Thinker was intended to be a part of Rodin's The Gates of Hell and represent an early Italian Renaissance poet Dante Alighieri pondering The Divine Comedy, his epic story of Paradise and Inferno. However, in 1889 Rodin exhibited the sculpture independently of The Gates, giving it the title The Thinker, and in 1902 he embarked on this larger version. Sculpture The Thinker exists in many marble and bronze editions in several sizes were which were executed in Rodin's lifetime and after. The most famous version is the bronze statue cast in 1904 that sits in the gardens of the Rodin Museum in Paris.

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